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national public radio
all songs considered
new york city's the apple brothers are james patrick (vocals, guitars) and lou robert (drums), a rock 'n' roll duo originally kept to just family.
but recent additions to the lineup, ben toro (bass) and joel cannon (guitars), make the band's latest, on an empty stomach, sound more full, and more nashville than new york.
the band says it's been collectively inspired by "ccr to gnr, ac/dc to tom petty," the band members said.
"[we were] weaned on everything from classic rock and stax soul to outlaw country," the band said. but the band says it keeps a local new york flavor to their countrified rock 'n' roll, referencing local neighborhoods and streets on "who am i to blame."
in concert, the apple brothers have opened for cheap trick, jon spencer blues explosion, and junior brown, among others. the band is recording its as-yet-untitled, third record in may.
the aquarian weekly
adrian gregory glover
here we have what is now becoming the classic guitar/drum duo. naw, this one does not have a hot chick on the drums but instead they are two guys who know how to write a damn good song.
the local nyc kids have a nice little buzz going and this release could really kick start things off for them to the next level. the record's closer, "crying in the chapel/don't let me down" is simply what records used to be about in terms of finishing a game off right.
having worked with tom petty engineer richard dodd, the brothers must have picked up a few tips along the way when it comes to reeling back the bluster long enough to make the hooks work to your advantage.
towards the middle, the daring "bad blood" sets the kind of foreboding mood that the title would imply and yet works at a pace that seems to seperate itself from the rest of the record. the real deal here folks. grade: a.
towards the middle, the daring "bad blood" sets the kind of foreboding mood that the title would imply and yet works at a pace that seems to seperate itself from the rest of the record. the real deal here folks. grade: a.
nyrock.com
bill ribas
you know, i appreciate the white stripes for their stripped-down approach, but their music doesn't do much for me. this duo, on the other hand, will rock you like a hurrican, and make the stripes seed pedestrian. this is raunchy, gravelly, sweat-drenched juke fare that belts it out like an old chevy ss 396. sure, the ride may be a bit bumpy, but once you hit the pedal, you're grinning till you run out of gas.
their first band, hot water, put out a disc with the help of richard dodd (of grammy fame and acquaintance of tom petty), and they've supported the blues explosion, and thats about all the facts i can toss you. as for their music, the guitar is often distorted, often with a slight flanger effect on it, the drums provide a big feel without being too busy, and the vocals, ahh, those vocals, raunchy, raspy, strained at times but always there. this is a surprisingly good album, both from a songwriting aspect, and from the stand point that it's primarily just a guitar and drums (though sometimes horns sneak in). you'll have to hear it to belive it, and thats what i telling you to do.
the rock & roll report
mark boudreau
i don't like the term americana (probably because i'm canadian) but country-fried rock would be about the best description that one could use when describing the apple bros latest cd "on an empty stomach."
from the fuzzed out start of "i want more" to that great riff on "hide" to the funky "bad blood" this is a great and welcome return for me to a style of music that i haven't listen to in too long. with echos of steve earle, you can tell this new york-based band have poured their heart and soul into this stuff and it shows on every track. i honestly can say i loved every track and the ending medley of "crying in the chapel/don't let me down" brought a smile to my face with its honest, passionate performance.
the apple bros are veterans of the new york rock scene and you can sense that in both the sound of this cd. great production values, songs that get better with each listen and some well chosen covers make "on an empty stomach" a great listen. thanks guys for reintroducing me to a style i have given short shift to recently. well done.
